Posts Tagged ‘Angel’

Quick hits for 7/3

July 3, 2008

Buffy the Vampire Slayer #16

I really wish I hadn’t read this interview with Joss Whedon before reading this issue, because what happens to Dawn would’ve had me rolling on the floor had I not expected it (and that picture of Joss might be one of the worst picture taken of any human being, ever).  In any case, this book suffers from first chapter syndrome where what you really want to see doesn’t even begin until the last two pages.  Still, it’s written by Whedon himself and I’ve got a soft/blind spot when it comes to the man so of course I enjoyed every page of it.  Karl Moline’s art is a step up from what we normally see in this book (not that regular artist Georges Jeanty is bad, of course) as his characters are more expressive and his setting feel a bit more lush.  So far I’ve loved every issue of this title and I’m not apologizing for it, Whedon-haters.

Angel: After the Fall #10

Even though the artist hasn’t changed, the art itself is much better this time around.  Nick Runge seems to be settling into Angel’s world in a way that Franco Urru never did, and thank God for that.  Everything else is still a bit of a mess, though.  There’s a lot going on in this issue and that crowds out what should’ve been a huge, game-changing revelation.  We readers knew about Angel’s secret all along, of course, but we only get a few pages of his gang’s reaction to the news.  Thinking in TV terms, this scene would’ve lasted at least 10 minutes (with the reveal coming right before a commercial break), but here the emotional resonance is stripped away because it’s all over so fast.  I can’t believe I’m complaining about too much happening in a single issue, but since I still don’t have a great handle on what happened in issue 9 I feel like the whole series is moving too fast after marking time for too long.

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Quick Hit reviews

June 19, 2008

I’m going to limit myself to one paragraph for each of these:

Ex Machina #37

This book publishes so sporadically I completely forgot what was going on in it. That’s a shame, too, because it’s a damn fine read as an obsessed fan from the Mayor’s days as a superhero tries to ruin the Republican Convention using the city as her canvas. Usually I’ll find some part of a book like this tedious (be it the rote superheroics or the backroom political drama), but that’s never been the case here thanks to Brian K. Vaughn’s talent. Tony Harris’ art is just plain pretty. I love the book, but the schedule stops me from embracing it completely.

Angel: After the Fall #9

The art on this book just plain sucks. Usually I can look past that because I’m more of a story/dialogue guy and the art is just icing on the cake, but I just can’t overlook or forgive the eye-raping perpetrated here. I’m not going to waste my time looking up who drew this mess, but I can’t think of a single issue that’s had art that I would classify as passable (except for the John Byrne drawn short story a few issues ago). Aside from that, this series brings new definition to the term “uneven.” It started strong, but that past few story-driven issues (as opposed to the 3 issues devoted to catching up with characters not named Angel) have wasted the goodwill generated there. What could and should have been as good as Buffy Season 8 has turned into a jumbled, confusing, awkward mess.

Guardians of the Galaxy #2

This comic features a talking raccoon whose best friend is a miniature tree god. At one point said raccoon straps a fish bowl style space helmet on his head and uses large firearms to blow overgrown tapeworms to Kingdom Come. In space. Why do you hate fun, people not reading this comic? Why?

Justice League of America #22

Like everyone else, I had high hopes when Dwayne McDuffie took over this title. Like everyone else, I’ve been so let down by it that disappointed seems to weak a word. Most blame this on DC editorial so I will too, especially when we’re treated to glimpses of what could have been. Moments like Black Canary’s smackdown of Vixen and McDuffie’s use of inner monologues from different characters show us how good this could be if the big events written by others would just stay out of his way. Ed Benes is still trying to figure out how to draw a woman’s rear end in every panel, but he’s toned it down so that the focus is now on his relatively solid work and not his spine-wrenching anatomy.